Sometimes novice bonsai practitioners go online looking for information. A great video that helped me with some fundamentals was this one:
https://youtu.be/Ba5owK4tJVA. The title is
2013 AABC convention in Canberra - Ryan Neil Juniper Demonstration by
Bonsai Evolution Studios (Hugh Grant). Disclaimer time: The following is my interpretation of what I saw in the video. This is not endorsed by Ryan Neil, Bonsai evolution studios, or the AABC.
Like many bonsai rules the decision to implement them is
yours. First when we set out to design a bonsai we must think objectively. Objectivity
comes from choosing the best characteristics of five main points. Nature does
not accommodate humans. It will be extremely rare to find a tree that nature
has given all the best of the five points on the same side of the tree. You
will have to make compromises. Perhaps there will be a halfway
point that will let you display some of each of the points if those points are
all not on the same tree. The Main points to look at in respective order are
Base of the tree, trunk movement, special features on the tree, branch
location, location of the Apex. Then and only then do we take care of the flaws
in the tree.
I would like to say a word on balance in bonsai. I would say
that a great majority of bonsai trees are asymmetrical. Asymmetrical means that
if you split a tree down the middle the two halves do not look like mirror
images. When you split a formal upright tree in half you get two trees that
look like mirror images. That is called symmetrical balance. I will venture to
say that most trees you will make will be asymmetrical. Asymmetrical designs
are very appealing to the eye. You can
read books on asymmetrical balance and I suggest you do. Mr. Neil says that you
should not rely on the pot as part of your overall design to achieve balance.
The tree should look balanced strictly on its own.
How do we get movement in a tree? The flow of the tree is
based on three parts of the tree. The three parts are the trunk line, the main
branch, and the apex location. Typically on smooth barked trees referred to as
feminine trees all three parts move in the same general direction. On rough
barked trees referred to as masculine trees the three main parts of the tree move
in contrary directions to each other. Ryan Neil explained that feminine trees
are like romantic comedies where people get along and the ending is happy.
Masculine trees are like an action movie that has twists and surprises.
Mr. Neil says that the trees foliage is what we tend to look
at first when we see a bonsai. If that is the case we need to position the
foliage in a way that it moves the eye where we want it to be. Some trees will
need foliage that accents specific things such as jinn, or a curve in the
trunk, etc. Some trees will need the foliage to move the eye from one side of
the tree to another.
First, we start at the lowest visible part of the tree. That
would be the base of the tree. The base is the part of the trunk that is
directly above the soil line. The base should be the widest part of the trunk.
This allows for a good taper up the trunk. The best case scenario is
positioning the base so that the widest part is facing the audience.
|
Huge base on this Cypress |
Second, we will look at trunk movement. Is the trunk very
wide or not? How dynamic is the trunk movement? Does the trunk move up or down?
Does the trunk line move the eyes to where you want them to go?
|
Very dynamic trunk movement |
Third, The first branch has much weight in the composition. Where is it pulling the eye? Does it help the flow, or does it make the eye stop?
|
Yes it's the same tree, look at the first branches position. it counters the apex. |
|
cover the main branch on this picture. I believe it is to big for this tree. to much weight to the right side |
Fourth, we have the special features. Each tree variety has
unique characteristics. Example, Cork Oaks have a very distinct bark, fruit
trees have flowers, and Ficus may have trunks with aerial roots. Perhaps you
have a tree with jinn or shari. Whatever the special feature is this is when
you plan to integrate it into the design.
|
The flowers are the special feature |
|
This bark is the special feature |
Fifth, here is where you start moving those wired branches.
The branches affect the flow of the tree and they form the structure for the
foliage. All the removal of unneeded branches has been done prior to wiring.
Now you place the branches to emphasize the overall structure.
Sixth, you will fix the apex of the tree. The apex is
important because it is where the silhouette comes to a point. Your eye will be
directed there so it has a lot of weight in regards to the overall balance. Will
the apex continue along the line of the trunk? Maybe the apex will be a branch
and the old apex will be turned to jinn.
|
Great apex, branch position, special feature, main branch, trunk movement, and base. Just an amazing tree |
Well that is my interpretation of what I saw on the video. I hope it helps as much as it helped me. To me it was like coming out of darkness.
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